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The CMA’s “Temples and Worship in South Asia” reveals a spiritual evolution

The Cleveland Museum of Art's showcase of the "Temples and Worship in South Asia" exhibit featured 13 photographs and six paintings, with each of the paintings, such as the shrine of the six-armed Goddess Devi, focusing on the importance of Hindu rituals.
The Cleveland Museum of Art’s showcase of the “Temples and Worship in South Asia” exhibit featured 13 photographs and six paintings, with each of the paintings, such as the shrine of the six-armed Goddess Devi, focusing on the importance of Hindu rituals.
Courtesy of The Cleveland Museum of Art

The Cleveland Museum of Art (CMA) presents a fascinating exploration of Hindu sacred spaces through a carefully curated selection of artwork spanning different mediums and centuries, titled “Temples and Worship in South Asia.” The exhibition brings together six paintings and 13 photographs that highlight the striking contrasts between Hindu temples during different time periods.

 

The Indian paintings offer intimate glances into the deeply personal nature of Hindu worship and showcase the relationship between the devotee and deity by depicting various offerings and rituals that characterize Hindu devotional practice. The artists pay particular attention to the offerings presented to the idols, highlighting the magnitude of faith present at these temples. 

 

The photographic aspect of the display presents an intriguing historical narrative through two distinct approaches to capturing temples. The mid-1800s British photographers approached these sacred spaces with a distinctly colonial perspective, focusing their lenses primarily on the architectural magnificence of these structures. Their work, while documenting the striking scale and complexity of ancient temple architecture, avoids capturing any elements of active worship or devotional practices. On the other hand, contemporary photographers choose to immerse viewers in the active and vibrant life found in Hindu temples. Their images capture the dynamic interior spaces filled with worshippers, rituals and offerings. These modern works 

depict temples through the lens of their function—as bustling centers of spiritual activity.

By presenting these varied approaches side by side, the exhibit invites viewers to consider multiple facets and sides to temples: as architectural achievements, as centers of living faith and as subjects of artistic interpretation. The Indian paintings serve as valuable counterpoints to the photographs, as they offer insight into the perspectives of those for whom they hold deep spiritual significance. 

 

“Temples and Worship in South Asia” allows visitors to understand not only the physical nature of temples but their spiritual evolution over time. It serves as a reminder of the bias ingrained in artistic documentation and the way in which different representations of sacred spaces can lead to vastly different interpretations and understandings of traditions. 

 

For visitors interested in learning more about South Asian art and religion, the CMA houses many other pieces on this topic to enhance an understanding of the display. “Temples and Worship in South Asia” will remain at the CMA until March 9, but even after that, the museum will continue to showcase important examples of other South Asian religious art, such as Jain sculptures and manuscripts, carved stone panels, physical temple pieces and Buddha images.