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CWRU Quizbowl team sweeps tournament 9-0 to end season with first win
April 19, 2024
•
Elie Aoun
, Director of Print
Student wages, upgraded first-year housing: What students can expect from USG’s Tuition Allocation Bill
April 19, 2024
•
Zachary Treseler
, News Editor
Case Amateur Radio Club gains national attention for eclipse research
April 12, 2024
•
Shivangi Nanda
and
Zachary Treseler
Otherworldly: CWRU gathers for total solar eclipse
April 12, 2024
•
Elie Aoun
, Director of Print
Total eclipse 2024: How to watch it around Cleveland, CWRU
April 5, 2024
•
Shivangi Nanda
and
Zachary Treseler
CIM fires viola faculty member, spurring dissatisfaction among students
April 5, 2024
•
Zachary Treseler
, News Editor
Housing lottery disappoints rising second-year students
April 5, 2024
•
Téa Tamburo
, News Editor
Sigma Psi, CWRU’s oldest and only local sorority, to close at end of academic year
April 5, 2024
•
Zachary Treseler
, News Editor
President Kaler addresses SJP’s interim suspension, student involvement, future goals in open USG meeting
March 29, 2024
•
Téa Tamburo
, News Editor
Remembering Nex Benedict: What the death of a non-binary teenager means to CWRU community
March 29, 2024
•
Gloria Liu
and
Zachary Treseler
The Observer
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Kethan Srinivasan, Social Media Content Creator
All content by Kethan Srinivasan
Lizzy McAlpine breaks through her personal ceilings with “Older”
Kethan Srinivasan
, Social Media Content Creator
April 12, 2024
The Observer reviews Matteo Lane
Zachary Treseler
,
Shejuti Wahed
,
Serene Pierce
,
Shivangi Nanda
, and
Kethan Srinivasan
April 5, 2024
Ariana Grande’s “eternal sunshine” gives a rather unique glow
Kethan Srinivasan
, Social Media Content Creator
March 29, 2024
“Anatomy of a Fall” is as forensic as the name suggests
Kethan Srinivasan
, Social Media Content Creator
March 1, 2024
“Poor Things” delivers a visual journey, not a moral one
Kethan Srinivasan
, Staff Writer
February 9, 2024
“Past Lives” is a love story without the melodrama
Kethan Srinivasan
, Staff Writer
February 2, 2024
“Saltburn” is a rambunctious drama, for better or for worse
Kethan Srinivasan
, Staff Writer
January 26, 2024
“The Boy and the Heron” is a gift to Ghibli buffs everywhere
Kethan Srinivasan
, Staff Writer
January 19, 2024
Has Taylor Swift’s re-recording project started to falter?
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, Staff Writer
November 3, 2023
Stephen Sanchez’s “Angel Face”: An angel’s voice, but does it have an angel’s wings?
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, Staff Writer
October 6, 2023
Can Laufey’s “Bewitched” truly beguile its listeners?
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, Staff Writer
September 15, 2023
Reneé Rapp’s “Snow Angel”: a self-assured, standout LP
Kethan Srinivasan
, Staff Writer
September 8, 2023
Speak Now (Taylor’s Version): a youthless replica or a mature retelling?
Kethan Srinivasan
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September 1, 2023
Adele’s “30” shows a different side of love than her previous work
Kethan Srinivasan
, Staff Writer
January 14, 2022
“Optimist” demonstrates FINNEAS’ lyrical genius
Kethan Srinivasan
, Staff Writer
November 5, 2021
“Easy On Me” is Adele in her truest form
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, Staff Writer
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“Solar Power” gives cloudy introspection, courtesy of Lorde
Kethan Srinivasan
, Contributing Writer
October 8, 2021
Netflix’s “The Chair” is hard to call satire
Kethan Srinivasan
, Contributing Writer
September 24, 2021
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