
Has Taylor Swift’s re-recording project started to falter?
Kethan Srinivasan, Staff Writer
• November 3, 2023

In concert, The Happy Fits showcase the beauty of positive and negative emotions alike
Amanda Wu, Staff Writer
• November 3, 2023

Stephen Sanchez’s “Angel Face”: An angel’s voice, but does it have an angel’s wings?
Kethan Srinivasan, Staff Writer
• October 6, 2023

SIX: The Musical: Feminist Think Piece or Surface-Level Fun?
Srilakshiya Sudhakar, Contributing Writer
• September 15, 2023

Can Laufey’s “Bewitched” truly beguile its listeners?
Kethan Srinivasan, Staff Writer
• September 15, 2023

Olivia Rodrigo plateaus with “GUTS”
Kate Gordon, Life Editor
• September 15, 2023

Reneé Rapp’s “Snow Angel”: a self-assured, standout LP
Kethan Srinivasan, Staff Writer
• September 8, 2023

Speak Now (Taylor’s Version): a youthless replica or a mature retelling?
Kethan Srinivasan, Staff Writer
• September 1, 2023

Here’s how to get the most out of your listen to Boygenius’ “The Record”
Kate Gordon, Copy Editor
• April 7, 2023

Masego delivers saxophone solos and soul at the Agora
Joey Gonzalez, Life Editor
• March 31, 2023
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