The Observer

Yo La Tengo took an innovative approach to its Cleveland show, starting the concert out quietly and ending on a loud note.

Noise rock at its quietest, then its noisiest

Anne Nickoloff, Director of Print February 5, 2016

When we walked into the Beachland Ballroom on Thursday, Jan. 18, we didn’t know a concert was happening down the hall. But we were a little late; Yo La Tengo’s set had already started. The thing...

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